Art can make the difference

Designed range of t-shirts, skate decks, surf boards and shoes for the Vault label by Vans featuring art by renowned artist Murakami.

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Mass embraces design (sometimes)

Design for bathroom cups for Dixie Paper Products, 1970s by Saul Bass.

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Lufthansa looks to its future

The renowned German airline recently announced a rebranding to better leverage its strengths in a digital world. The classic Lufthansa livery has been updated with a tailfin featuring a white logo on a deep blue background, without the brand’s yellow accent around the symbol. The plane’s grey underbody has also been changed to white. Otherwise, blue reigns dominant with the orange/yellow taking a more subordinate role. The redesign, especially the livery refresh has received a lot of negative feedback. The absence of the yellow on the plane has prompted comments including, “bland and pointless”, “design belly flop” and “It opts for a corporate blue that comes straight out of a late capitalist nightmare.”. Most are focusing on the plane branding which admittedly is more conservative with no pop of color. The other limited potential application all seem smartly executed with yellow playing an important secondary color role. We side on the positive with this refresh. Given Lufthansa’s track record with first rate identity and marketing creative, the changes seem to be in line with the move to digital. Mourning the loss of Lufthansa yellow seems both premature and a bit silly. Strategic change can be a good thing…

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Planning ahead

Pantone’s Top Colors for spring. We’ll have to ponder these for awhile but we’re leaning toward dazzingly blue, freesia yellow and hemlock green….

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Saul Bass + rom-com

Title sequence from The Seven Year Itch (1955), designed by Saul Bass. The Seven Year Itch is a 1955 American romantic comedy film based on a 1952 three-act play with the same name by George Axelrod. The film was co-written and directed by Billy Wilder, and stars Marilyn Monroe and Tom Ewell, reprising his Broadway role from the play. 

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Smart design for a renowned institution

New identity for renowned MIT Media Lab by Pentagram’s Michael Bierut. Helvetica, central to MIT’s communications when the Media Lab was initially launched, has been reinstated to support the overall system.

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Design to support the concept

Debranded products for Selfridge’s No Noise promotion. Smart, provocative and what seems to be an effective effort to engage shoppers.

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Spotlight on young talent

Design SPOTTED. Gosha Rubchinskiy | artist & clothing designer. Gosha Rubchinskiy is young, self–educated and inspired by Russian youth subculture and the skate-boarding scene. After working as a stylist, he created his own street wear label in 2008. Gosha Rubchinskiy AW 2013 is now available (shown above) at Dover Street Market. Remarkable in its own right, but again, kudos to Rei Kawakubo & the folks at CdG for encouraging young talent. Nurturing is a good thing…

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No detail is too small

The Grand Budapest Hotel directed by Wes Anderson.

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Identity, design, art direction

Mendl’s, the fictional patisserie in The Grand Budapest Hotel. Identity and graphic design by Annie Atkins. Featuring Saorise Ronan as Agatha.

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