Art SPOTTED. Lee Ufan | Chateau de Versailles. Ten new large-scale sculptures by South Korean-born, Japan-based artist Lee Ufan are featured at the famed French palace. Amazing contrast between the contemplative and natural aesthetic of Ufan and the opulent architecture of the palace and  vast formal gardens designed by André Le Nôtre for Louis XIV. Vive le contraste…

Previous

Print campaign for Biocanina. Love him like you love yourself.

Previous

He has enough reasons to be angry. Vaccinate your pet against rabies. Campaign by Morya, Bahia Brazil. Photographed by Guto Estevez

Previous

Hugs. Now with more meat. Pedigree campaign, SavaglioTBWA, Buenos Aires

Previous

Smile… Dentastix campaign for Pedigree. Agency: TBWAChiatDay Los Angeles

Previous

Pedigree campaign TBWAChiatDay Los Angeles

Previous

Take care of the pooch (and cat) Poster design for Be Kind to Animals Week throughout the 1930s by Morgan Dennis (1892-1960).

Previous

Early modern… Italian Futurism, 1909-1944: Reconstructing the Universe | Guggenheim.  Innovative and avant garde for the time and a prelude to modern abstraction…

(pictured above from top: Giacomo Balla, Paths of Movement + Dynamic Sequences (Linee andamentali + successioni dinamiche), 1913; Gino Severini, Blue Dancer (Ballerina blu), 1912; Carlo Carrà, Funeral of the Anarchist Galli (Funerali dell’anarchico Galli), 1910–11; Luigi Russolo, Solidity of Fog (Solidità della nebbia), 1912; Umberto Boccioni, The City Rises (La città che sale), 1910–11)

Previous

Art SPOTTED. Italian Futurism, Reconstructing the Universe | Guggenheim. Parole in libertà, or words-in-freedom is one of themes being explored at this significant Guggenheim show. The Futurists liberated words and letters from conventional presentation by destroying syntax, using verbs in the infinitive, eliminating adjectives and adverbs, abolishing punctuation, inserting musical and mathematical symbols, and employing onomatopoeia. Words-in-freedom poems were read as literature, experienced as visual art, and performed as dramatic works. Truly, an amazing period in 20th century art, as well as one of the museum’s finer moments. If culture is on the radar for the summer, this should be part of the program (show closes Sept. 1)…

(pictured above from top: Benedetta Cappa Marinetti, Spicologia of 1 Man (Spicologia di 1 uomo), 1919; Francesco Cangiullo, Piedigrotta. Book (Milan: Edizioni futuriste di Poesia, 1916); F. T. Marinetti, Air Raid (n. 67) (Bombardamento aereo [n. 67]), 1915–16; Francesco Cangiullo, Large Crowd in the Piazza del Popolo (Grande folla in Piazza del Popolo), 1914; Giacomo Balla, Trelsì… Trelnò, 1914; F. T. Marinetti, Zang Tumb Tuuum: Adrianople October 1912)

Previous
Previous